Poetry Lesson Plan

Day 1 | Day 2 | Day 3

Day 1

Focus: situation of the poem, metaphor (the power of suggesting instead of saying);, words (connotation)

Focus on three thing today:

1. The situation of the poem

Instead of diving in an trying to figure out hidden meanings, look at the poem as a whole. Who's speaking? Who are they speaking to? What's happening (literally) in the poem? Look, especially, at pronouns: who are what is the he/she/it? Just as in fiction, pay attention to the date to gain an understanding of what might be been occurring at the time and to understand the values and attitudes of the period.

2 Metaphor

As in short stories, poets often say instead of suggest. Why? probably because it's fun to figure out what the writer is getting at. That's why poets play with both the literal and figurative meaning of words -- words as play doh that can be stretched and pulled into different shapes.

3 Words

In particular, pay attention to connotative meanings of words -- what do you associated with, for example, a knife? A fork? A table? These associations often create meaning.

Back to #1 though: keep in mind that you shouldn't jump to "reading between the lines." Instead, actually read the lines and figure out -- literally -- what the speaker is saying before jumping to figurative meanings.

"Richard Cory"

Emily Dickinson

It dropped so low -- in my Regard --
I heard it hit the Ground --
And go to pieces on the Stones
At bottom of my Mind --

Yet blamed the Fate that flung it -- less
Than I reviled Myself,
For entertaining Plated Wares
Upon my Silver Shelf --

 About 1863

 


Day 2

"The Lamb"

"The Tyger"

Given these two poems, which seems to rule? The Lamb or the Tyger?

 


Day 3

"Four Word Lines"

"Once In a While, a Protest Poem"

 


! paraphrase to see what's lost (585-586)

 

"Castoff Skin" (685);

Blake

 


"My Last Duchess"

"Disillusionment of Ten O'Clock" 654

ceinture: sash

 

"The vividness of the imagination in the dullness of a pallid reality Ronald Sukenick

"Only the drunkard, the irrational [Stevens once wrote that "Poetry must be irrational] man, who is in touch with the unconscious -- represented here, and often elsewhere, by the sea -- can awake his own passionate nature until his blood is mirrored by the very weather." Edward Kessler.


According to the information presented in these poems, what are some of the ways society typically views masculinity?

Are the poets agreeing with, or criticizing the prevailing views of masculinity? How can you tell?

"Facts" (765)

1.What's the father's world view?
2.Is the speaker being ironic? Does he seem to agree with his father's view of life?
3.Does he cry at his father's funeral?
4.Theme of this poem?

"First Practice" (785)

1.Why does the poet open with an image of a doctor feeling the scrotum of each of the players? How is this symbolic of manhood? Of the military?
2.What military language/imagery is included in this poem? Why?
3.What was the speaker's attitude toward this event when it occurred? What is his attitude now? How can you tell?

"Rites of Passage" (612)


"The Fish"

"A Mongoloid Child Handling Shells on the Beach" (655)

Theme: There is a quiet beauty to a Down's Syndrome child, similar to those of sea shells, and of the sea itself. This beauty speaks of the depths of emotion and insight that go unseen and unheard, like the leveling effect of the sea itself.

"Peeling an Orange"